Monday, November 29, 2010
Sunday, November 28, 2010
Tuesday, November 23, 2010
hush, hush, hush. turn the fan on (or the heater) and slip half your body under the woven and stuffed sheets. and now it's not your father, but the night that is snoring fortissimo these days. keeping you from sleep. and maybe it's better that way. considering lately you've been nothing but a figmented dream cinema. so detached, darlin'. but (unlike the others) you know "detached" also means "free," "unbound," and "extricated." listless, again, you will your eyes into slumber, slumber, slumber.
Sunday, November 21, 2010
Saturday, November 20, 2010
new photograph/memory is up. which you can view here.
today was dreadful.
though after work i went with a friend to lucky burger where we both indulged a veggie one.
such an adorable little place. however, it makes no sense. the building is in the shape of a barrel or keg of sorts. it's painted blue with red and yellow writing on it which read "Lucky Burger" and then embellished with tawdry stars. on the inside there are ceramic sea creatures along the boarder of one wall, a poster of bottles on another, a chinese calendar by the register, and lots of other works of art that do not at all coincide.
so cute. if you live in houston, i suggest it.
i've been staring at the moon ever since i got back. and will likely continue to do so for the remainder of the night.
so long.
Friday, November 19, 2010
Thursday, November 18, 2010
Wednesday, November 17, 2010
i feel it in my bones. i'm ready to move. not to a new apartment, or city--though that'd be nice, too--but rather metaphorically speaking, i'm ready to move on. sometimes i think i've let go too much. or too easily. i've grown rather good at it. don't get me wrong, i have got a heavy heart, but that's only because i know how to use it. just like an old tattered suitcase, i know how to tuck things away in there. it's grown weighty throughout all these years. sometimes it gets hard to breathe. i bet when i'm old i'll have scoliosis due to it's constant tugging. my thumb is red, not green. i garden often under this skin of mine. when i'm sad or bored, i start plucking out all of these roots you have left, and sometimes i accidentally pull a vein and it tugs at my heart. or sometimes it jerks a memory. but i'm pulling them all out. i've almost finished. i did a lot of gardening tonight. there are a few weeds i'll have to get in the morning or in my sleep. i daydream too much these days, that's when they all come back. now i've got these fresh roots attaching. casually finding their way into the marrow.
Tuesday, November 16, 2010
Monday, November 15, 2010
don't know how i've managed to obtain such lousy circulation.
i'm currently sitting in front of my heater, drinking a cup of coffee, while wearing a sweater, two comforters, and a cat....though somehow i'm still cold?
this post is pointless.
so i might as well add that i've got a killer craving for some dried apricots.
i'm currently sitting in front of my heater, drinking a cup of coffee, while wearing a sweater, two comforters, and a cat....though somehow i'm still cold?
this post is pointless.
so i might as well add that i've got a killer craving for some dried apricots.
Sunday, November 14, 2010
Friday, November 12, 2010
wake up and the mirror acquaints you
to two tiny zigzag scratches on your forehead and
three frail twisted lines along your porcelain shoulder blades.
they're already scabbed over, laced in pink flesh.
muscles ache and are tightly knotted.
you can't remember your own dreams.
and there, on the window seal, sit six eyelashes,
stationary and offering no sparkle in the stale sun of morning.
and tomorrow when your slicing apples, or your finger,
you'll remember
the heap of images that rested heavy beneath the
unforgiving skin which shield your weary eyes.
to two tiny zigzag scratches on your forehead and
three frail twisted lines along your porcelain shoulder blades.
they're already scabbed over, laced in pink flesh.
muscles ache and are tightly knotted.
you can't remember your own dreams.
and there, on the window seal, sit six eyelashes,
stationary and offering no sparkle in the stale sun of morning.
and tomorrow when your slicing apples, or your finger,
you'll remember
the heap of images that rested heavy beneath the
unforgiving skin which shield your weary eyes.
Thursday, November 11, 2010
Wednesday, November 10, 2010
Tuesday, November 09, 2010
Monday, November 08, 2010
all i want to do is stay home and watch harlod and maude while sitting in front of my space heater wearing an extensively over-sized sweater with my cat and a cup of hot coffee.
...contrarily, i'll be working to my wits end and schooling/working all day.
make that all week.
or the rest of the year.
or the next eight or so years.
...contrarily, i'll be working to my wits end and schooling/working all day.
make that all week.
or the rest of the year.
or the next eight or so years.
Sunday, November 07, 2010
heart is fumbling
under secondhand sheets and clothes that have grown worn and loose
pushing tacks in the wall
closing weary eyes
eyelids are like hexes
when they drop
cautionary tape won't halt them in the least
taunting and relentless in their unforgiving desires,
in their visions of what can never be
will never be
bottom lips bite as the word perishes from mouths
"never"
stinging and unkind in its parting
just like "love"
though love necessitates a deeper sting,
a heavy heart,
teeth that aren't frail,
and twenty-nine tissue boxes
(give or take)
under secondhand sheets and clothes that have grown worn and loose
pushing tacks in the wall
closing weary eyes
eyelids are like hexes
when they drop
cautionary tape won't halt them in the least
taunting and relentless in their unforgiving desires,
in their visions of what can never be
will never be
bottom lips bite as the word perishes from mouths
"never"
stinging and unkind in its parting
just like "love"
though love necessitates a deeper sting,
a heavy heart,
teeth that aren't frail,
and twenty-nine tissue boxes
(give or take)
Saturday, November 06, 2010
Friday, November 05, 2010
Thursday, November 04, 2010
Tuesday, November 02, 2010
i've acquired new possessions that i'm quite fond of.
first item:
vintage map of earth's moon from 1969. it's rather large and measures 42"x27 1/2". it is topographical and shows the near and far side of the moon, plus rotation, tides, and lots of other interesting information.
second item:
vintage framed print, circa 1900-1949. shows a lady moon gazing, seaside. the back reads "ALONE"
the print itself is a 6x4, thus very intimate and tiny.
first item:
vintage map of earth's moon from 1969. it's rather large and measures 42"x27 1/2". it is topographical and shows the near and far side of the moon, plus rotation, tides, and lots of other interesting information.
second item:
vintage framed print, circa 1900-1949. shows a lady moon gazing, seaside. the back reads "ALONE"
the print itself is a 6x4, thus very intimate and tiny.
dreadful tuesdays.
at least the sky has a belly full of thunderclouds.
today my painting professor wanted to pay me for the painting i let her have.
i quickly informed her that i would accept no amount of money. at all. end of story.
she hung it up in the painting departments office and told me that everybody has grown fond of it and i would now be immortal.
thing is, it’s such a crappy painting. honest, i’m not just saying that.
that's why i let her have it. i usually keep all of my work, no matter how horrid. but i figured she'd get more enjoyment out of it than having it sit in my closet for decades.
i do find it humorous, though.
the project was extensive, but basically it entailed choosing an artist and a toy and then using said artist’s work to make your own with the toy. there were three paintings due and the first was to replicate as closely as possible a piece by your artist (while still adding the toy).
i ended up with the combination of alice neel and a pencil sharpener.
my professor sent me a photo of it that she took with her cell phone,
so here are the two juxtaposed (the painting is modeled after neel's soyer brothers):
at least the sky has a belly full of thunderclouds.
today my painting professor wanted to pay me for the painting i let her have.
i quickly informed her that i would accept no amount of money. at all. end of story.
she hung it up in the painting departments office and told me that everybody has grown fond of it and i would now be immortal.
thing is, it’s such a crappy painting. honest, i’m not just saying that.
that's why i let her have it. i usually keep all of my work, no matter how horrid. but i figured she'd get more enjoyment out of it than having it sit in my closet for decades.
i do find it humorous, though.
the project was extensive, but basically it entailed choosing an artist and a toy and then using said artist’s work to make your own with the toy. there were three paintings due and the first was to replicate as closely as possible a piece by your artist (while still adding the toy).
i ended up with the combination of alice neel and a pencil sharpener.
my professor sent me a photo of it that she took with her cell phone,
so here are the two juxtaposed (the painting is modeled after neel's soyer brothers):
Monday, November 01, 2010
my head is clouded in fogs of nonsensical air. so i'm writing instead of doing my schoolwork.
...which i may or may not regret by tomorrow. i've reached the point of not caring so much, ya know?
when the feathers of your eyelids shut
and your mouth is running out
of words to play,
make sure there are eleven
pillows on your bed in november
and the doors are tightly shut with
paintings and tattered woven tapestries
wound and sprinkled in dilapidated dust from
memory’s attic
clutching the smell of year 1901
with chipped red polish,
unkempt on your lukewarm fingernails
complemented by tips the colors of rotten milk
and leftover fragments of yesterday still
wedged underneath.
...which i may or may not regret by tomorrow. i've reached the point of not caring so much, ya know?
when the feathers of your eyelids shut
and your mouth is running out
of words to play,
make sure there are eleven
pillows on your bed in november
and the doors are tightly shut with
paintings and tattered woven tapestries
wound and sprinkled in dilapidated dust from
memory’s attic
clutching the smell of year 1901
with chipped red polish,
unkempt on your lukewarm fingernails
complemented by tips the colors of rotten milk
and leftover fragments of yesterday still
wedged underneath.
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